Catégorie : Honors, awards and prizes

 

Karel Vereycken in World Art Collection book

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Karel Vereycken wins Honorable Mention Award in Teravarna’s 15th Open

Minerva, Goddess of Peace, watercolor of Karel Vereycken.

Upcoming exhibits:

  • CONFIRMED: 2026 : PARIS, France, physical, P.A.R.I.S. (Paris Art Renaissance & International Salon), Venue: Hôtel Particulier Beaujon, 8th Arrondissement, Paris; Dates: November 23 – December 6, 2026; Gala Night: November 25, 2026;
  • CONFIRMED: 2026: PARIS, France, Nov. 1-8, physical, Galerie Mona Lisa, 32, rue de Varenne, 75007, Paris, France.
  • CONFIRMED: 2026, PARIS,ART SHOPPING, digital, booth of ARTBOXY, 23-25 October, Carrousel du Louvre, 99, rue de Rivoli, 75001 Paris, France;
  • CONFIRMED: 2026: LUZERN, Switzerland, 22–25 October, digital, ARTS CROSSROAD 2026, Switzerland, Kunstmesse;
  • CONFIRMED: 2026: OSAKA, Japan, 16-19 October, digital, ARRIVAL GALLERY ART SHOW, 2 Chome-10-16 Higashitenma, Kita Ward, Osaka, 530-0044.
  • CONFIRMED: 2026: MONTREUIL, 9-11 October, physical, UNDER PRESSURE, exposition d’estampes à l’Atelier Bo Halbirk, 1 rue Garibaldi, Montreuil (Métro Robespierre);
  • CONFIRMED: 2026: SAN SALVADOR, El Salvador, October 7-November 4, physical, SUMARTE Art show and auction at Modern Art Museum (MARTE).
  • CONFIRMED: 2026: CHICAGO, United States, 7-10 October, digital, Chicago Art Fair, booth 4094 of the Circle Foundation for the Arts (CFA), World Wide Art & Artavita. Venue: The MART,  222 W Merchandise Mart Plaza, Chicago, IL;
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Karel Vereycken wins Noble Art Award for Outstanding Contribution to Artistic Heritage

Recognition of Artistic Contribution

The selection of a recipient represents recognition of the artist’s talent, dedication, innovation, and contribution to the Art World. It acknowledges an artistic practice that has developed with purpose and consistency and whose work has achieved significance within a broader cultural context.

The Award considers artistic achievement not simply as the production of individual works, but as the development of an artistic trajectory. Within such a trajectory, individual works become part of a larger practice—one shaped by the artist’s evolving ideas, methods, decisions, and commitment to artistic production.

In this sense, the NOBLE ART AWARD recognizes both achievement and continuity. It acknowledges what an artist has established through their practice while situating that contribution within a larger cultural and historical framework.

Recognition through the Award also brings increased attention to the recipient’s practice, contributing to its visibility within the international art context. This visibility is understood as part of a broader process of cultural recognition: the identification of artistic practices considered worthy of sustained attention and inclusion within contemporary artistic discourse.

A Curatorial Process

The NOBLE ART AWARD is not open for application. Participation is by invitation only, with artists identified through a global curatorial selection process.

This structure distinguishes the Award from open-call competitions and application-based prizes. Artists do not nominate themselves or submit an application for consideration. Instead, the selection process is initiated curatorially, through the identification of artistic practices considered relevant to the principles and purpose of the Award.

The curatorial process places emphasis on artistic quality, sustained practice, dedication, innovation, and contribution to the field of art. Central to this approach is a preference for enduring artistic value over temporary trends. The Award therefore seeks to consider artistic practice within a longer cultural perspective rather than through the immediate conditions of fashion or visibility.

Such an approach reflects the Award’s relationship to the idea of heritage itself. If artistic heritage is understood as something that develops across time, the evaluation of contemporary practice necessarily requires attention to qualities that may extend beyond the present moment.

Beyond the Immediate Present

The distinction between the contemporary and the historical is never absolute. Works created today enter an existing cultural dialogue while simultaneously contributing to the material from which future histories of art will be constructed. 

The NOBLE ART AWARD is situated within this intersection between present artistic practice and future cultural memory. Its focus on outstanding contribution to artistic heritage reflects an understanding that the history of art remains open: it is continually expanded by artists whose work becomes part of the cultural experience of their time.

For this reason, the Award considers artistic practice not only in relation to contemporary recognition but also in relation to continuity. The emphasis on timeless mastery articulated by the Award refers to this longer view—an attention to artistic qualities that are not dependent solely upon passing tendencies, but that emerge through commitment, development, and sustained artistic work.

The Award consequently proposes a form of recognition grounded in duration. It acknowledges that artistic significance is rarely contained within a single moment and that an artist’s contribution is often revealed through the cumulative development of a practice.

The Artist Within the Living History of Art

Art history is not only the account of what has already been established. It continues to be formed through the work of practicing artists and through the ways their contributions are recognized, interpreted, documented, and carried forward. Contemporary artists therefore occupy a particular position: they work within the present while simultaneously producing part of the cultural material through which that present may eventually be remembered.

The Award’s reference to the living history of art expresses this relationship between artistic practice, recognition, and cultural continuity. To recognize an artist’s contribution to artistic heritage is to acknowledge that heritage itself remains unfinished.

Within this framework, receiving the NOBLE ART AWARD, FOR OUTSTANDING CONTRIBUTION TO ARTISTIC HERITAGE marks a significant moment in an artist’s professional trajectory. It recognizes the quality and importance of the artist’s work, the dedication demonstrated throughout their artistic journey, and their contribution to the enrichment of the Art World.

The NOBLE ART AWARD is therefore conceived not simply as a prize, but as a form of curatorial recognition: an acknowledgment of artistic practice as part of an evolving cultural history and of the artist’s contribution to the continuing formation of artistic heritage.

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Karel Vereycken wins Honorable Mention Award in Flower Painting Contest

« Flore de Sète », aquarelle de Karel Vereycken, 2026.
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Karel Vereycken selected Finalist for Chicago Art Fair

Today, Franco-Belgian painter and engraver Karel Vereycken was informed by the Circle Foundation for the Arts (CFA) about the results of the Chicago art contest in which he participated with his engraving « The Coincidence of Opposites » (2026) :

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Karel Vereycken Gets First Prize at Romanian « Festival 4 Arts »

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Karel Vereycken longlisted for Artist of the Year Award

On July 29, Franco-Belgian painter-engraver Karel Vereycken was informed by the Visual Artists Association (VAA, based in London, UK) :

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Karel Vereycken wins Curator’s List award in Book Cover Contest

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Karel Vereycken gets honorable mention in Portrait art contest

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Karel Vereycken’s engraving « Coincidence of Opposites » wins Honorable Mention

On June 15, 2026, the Circle Foundation for the Arts (CFA) informed Franco-Belgian painter engraver Karel Vereycken about the results of the Artist of the Month’s contest. Vereycken had filed participation with his latest engraving, « The Coincidence of the Opposites »:

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Karel Vereycken awarded by FineArtsNews

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Karel Vereycken wins Honorable Mention in Realism contest

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Karel Vereycken wins Honorable Mention in landscape contest

Karel Vereycken, Garden of Argenteuil, eau-forte sur zinc, trait, aquatinte, vernis mou, 2026.
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Karel Vereycken wins Megalopolitan Art Gallery’s Talent Prize

Images on the Art Gallery’s website (slightly distorted in this format)
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Karel Vereycken awarded Honorable Mention in 14th Open Art Competition

Karel Vereycken’s watercolor « The Crab » obtained an « Honorable Mention » in 14th « Open » international Juried Art Contest of Teravarna of April 2026.
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Karel Vereycken finalist for Cover Contest Art Magazine

Karel Vereycken, « Who is there ? », sugar etching on zinc, detail.
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Karel Vereycken Finalist for Santa Fe Art Show

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A Milan, Karel Vereycken appelle à une « nouvelle Renaissance »

Le 21 mars, lors de la remise du Prix international « Le Génie universel – Hommage à Léonard de Vinci », dans l’auditorium du prestigieux Musée national des sciences et des techniques Léonard de Vinci, à Milan, le peintre graveur Karel Vereycken a lancé un appel en faveur d’une « Nouvelle Renaissance ».

Venus de soixante pays, une bonne centaine d’artistes et d’amateurs d’art assistaient à la cérémonie.

En guise de clôture, un représentant diplomatique du Mexique a félicité organisateurs et artistes présents.

Avant de se métamorphoser en fondation, c’était une association destinée à promouvoir les artistes débutants et confirmés. Galerie d’art et éditeur, la Fondation organise régulièrement des expositions internationales dans de nombreuses villes italiennes et étrangères.

Les finalistes avaient été sélectionnés pour la consistance artistique de leur démarche par les conservateurs de la « Fondazione Effetto Arte » de Palerme.

Concernant leur mission, les organisateurs écrivent sur leur site :

Vereycken n’était que l’un des nombreux lauréats primés. Remerciant les organisateurs pour cette distinction, plusieurs artistes ont expliqué en quoi Léonard de Vinci avait été pour eux une source d’inspiration personnelle et constante.

L’un d’eux a déclaré :

Nombre d’entre eux, très émus, ont évoqué leur art, non seulement comme un refuge face à l’anxiété envahissante du moment présent, mais aussi comme un moyen pour combattre et réduire la menace d’une guerre imminente.

Discours

Karel Vereycken lors de son intervention à Milan. EA Foundation.

Chers organisateurs, chers collègues, honorables invités,

Tout d’abord, félicitations à vous tous, et plus particulièrement aux graveurs, car nous nous faisons rares. Voici ma gravure sur cuivre. (Apparaît sur grand écran « Le pêcheur flamand », à gauche sur la photo du catalogue.)

C’est avec un grand honneur et un immense plaisir que j’assiste à cet événement important et que j’accepte cette distinction.

Je tiens à féliciter les organisateurs pour cette initiative. Jamais le moment n’a été plus opportun pour rendre hommage au génie de la Renaissance, Léonard de Vinci, car aujourd’hui, en ces temps sombres de guerre, de corruption et de déprévation, il est absolument urgent que nous, artistes et amateurs d’art, renouions avec les plus hautes exigences.

Où en est le monde aujourd’hui ? Nous sommes entrés dans le siècle de la supercherie absolue, où de fausses informations et de fausses monnaies sont produites par de fausses élites se servant de l’intelligence fausse pour manipuler l’information, tout en poussant le monde réel à de véritables guerres contre de véritables êtres humains.

Pire encore pour les arts : le meurtre, la guerre et même le génocide sont promus sur internet comme des œuvres d’art à vendre.

Réveillons-nous ! Déjà en 1789, alors que les révolutions balayaient l’Europe, le poète allemand Friedrich Schiller, dans un poème, soulignait l’importance de l’ART :

Par conséquent, une nouvelle Renaissance n’est pas un simple rêve. Il faut la concrétiser à nouveau, afin de réhumaniser l’humanité et de recréer l’empathie nécessaire au dialogue et à la compréhension mutuelle.

Milan est un lieu idéal pour jouer un rôle majeur dans cette nouvelle Renaissance. C’est ici, au palais de Ludovic Sforza, qu’une jeune et brillante poétesse, Cecilia Gallerani, dont le portrait nous est familier grâce à la « Dame à l’hermine », initia Léonard de Vinci à ses discussions musicales, poétiques et philosophiques – une rencontre qui marqua sans conteste l’ascension de Léonard de Vinci au rang de génie.

Pour lui, comme pour le penseur de la Renaissance Nicolas de Cues, dont les écrits furent lus ici, il nous faut apprendre à déchiffrer le macrocosme invisible à travers le microcosme. Le monde a besoin de nouvelles Cecilia et de nouveaux Léonard.

Mettons fin dès maintenant au « siècle de la supercherie » en organisant ensemble, grâce à des concours artistiques de grande qualité, une nouvelle Renaissance qui célèbre la beauté et la dignité intérieure.

Tel est le défi que nous devons relever aujourd’hui.

Merci.

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Premiato a Milano, Vereycken auspica un “Nuovo Rinascimento”

Source: MOVISOL website

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Karel Vereycken rewarded in Milan, calls for a “New Renaissance”

Dear organizers, dear colleagues, honorable guests,

First congratulations to all of you and especially to the print-makers because we are becoming rare. This is my etching on copper the « Flemish Fisherman » (image on a large screen).

Karel Vereycken, Flemish Fisherman, etching on copper (left, page 38 of catalogue).

It is with great honor and an immense pleasure that I attend this important event and accept this kind award. Allow me to congratulate the organizers for this initiative.

Never has there been a more appropriate moment to pay tribute to the Renaissance genius Leonardo da Vinci, because today, in these dark times of war, corruption and depredation, it is an absolute urgency that we, the artists and the art-lovers, return to the highest standards.

Where stands the world today? We have entered the century of absolute fakery, with fake news and fake currencies being produced by fake elites using fake intelligence but pushing the real world to real wars against real human beings.

Even worse for the arts, the fact that killing, murder, war and even genocide are promoted on internet as aesthetic artifacts for sale.

Let’s wake up

Already in 1789, while revolutions swept over Europe, the German poet Friedrich Schiller, in a poem, underscored the importance of ART:

Therefore, a new Renaissance is not just a nice thing to dream about. It has to be undertaken once again, to re-humanize mankind and to recreate the required empathy for dialogue and mutual understanding.

Milan is one of the perfect places to play a major role in such a new Renaissance.

Because it was here, in the palace of Ludovico Sforza, that a brilliant young female poet, Cecilia Gallerani, whose portrait we know from the “Lady with the Ermine”, recruited Leonardo da Vinci to her musical, poetical and philosophical discussions, an encounter that clearly marked da Vinci’s rise as a towering genius. For him, just as for the renaissance thinker Nicholas of Cusa, whose writings were read here, we have to learn how to read the invisible macrocosmos in the microcosmos.

The world needs new Cecilia’s and new Leonardo’s.

Let us end the “Century of Fakery” now by organizing together, with art contests of the best kind, a new Renaissance honoring beauty and inner dignity. That is the challenge for all of us today.

Thank You,

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