Catégorie : Honors, awards and prizes

- 2026: Selected for New Road 2 Art Digital Expo;
- 2026: Winner of « Noble Art Award for outstanding contribution to Artistic Heritage » of Contemporary Art Collectors;
- 2026: « Honorable Mention Award » in 12th Flower of Teravarna;
- 2026: Finalist Award for the Chicago Art Fair;
- 2026: awarded 1st Prize in Romanian Festival 4 Art;
- 2026: selected to be included in 100 Watercolour Artists of Europe 2026, a book to be published at the end of the year by Culturale Lab;
- 2026: « longlisted » for the « Artist of the Year 2026 » contest of the Visual Artists Association (VAA), London, UK;
- 2026: 1st Prize at Romanian Festival 4 Arts;
- 2026: « longlisted » for the « Artist of the Year 2026 » contest of the Visual Artists Association (VAA), London, UK
- 2026: « Honorable Mention Award« with engraving Flemish Fisherman 2, in 13th Portrait art contest of Teravarna;
- 2026: « Curator’s List » award, with engraving Coincidence of Opposites, in the Art IDEA Book Cover Contest of Circle Foundation for the Arts (CFA);
- 2026: « Certificate » as a spotlight artist, by FineArtsNews;
- 2026: « Honorable Mention » in Art&Color365 Magazine « 2026 Realism » contest;
- 2026: « Honorable Mention » in 13th Landscape contest of Teravarna;
- 2026: « Talent Prize » in the « Portrait 2026 » International Online Exhibition of the Megalopolitan Art Gallery:
- 2026: extensive interview with FineArtsNews.com;
- 2026: accepted as « Circle Artist », opens dedicated webpage at Circle Foundation for the Arts (CFA);
- 2026: three engravings featured in Art to Hearts Magazine #11;
- 2026: engraving « Flemish Fisherman » digitally on show at ARTEXPO (Pier 36) in New York, on April 9–12, 2026 at the booth of the Effetto Arte Foundation of Palermo;
- 2026: « Honorable Mention » for watercolor « The Crab » in « 14th Open » International Juried Art Competition of Teravarna;
- 2026: Color engraving « Farmers of Sudan » featured in ARTIO Magazine for Art & Culture N° 12;
- 2026: « Finalist Certificate » in Spotlight Magazine Cover Contest;
- 2026: « Finalist Certificate » in 78th Artavita Online Art Contest competing for exhibition in Santa Fe;
- 2026: two page feature article in International Art Lovers Magazine (ARTLO) (N° 6, March-April);
- 2026: International Prize “The Universal Genius – Tribute to Leonardo da Vinci” of the Effetto Arte Foundation at the prestigious National Museum for Science and Technology in Milan, Italy;
- 2026 : engraving Garden of Argenteuil, featured in the March issue of ART STAR Magazine, The 2026 Guide to Remarkable Art (V. 1B, 2026);
- 2026: invited for award winning ceremony of the international Prize « The Universal Genius — Tribute to Leonardo da Vinci » in the National Museum of Science and Technology Leonardo da Vinci of Milan, Italy;
- 2026: shortlisted for award by Art&Color365 for competition and publication;
- 2026: « Exhibition Winner » for Artistic Achievement of the « 4th Black & White online art exhibition » of the Artist Space Gallery.
- 2026: « Honorable Mention » and inclusion into the 2026 Red online art show of the Grey Cube Gallery;
- 2026: « Garden of Argenteuil » color engraving featured in February 2026 edition of Contemporary Art Magazine ArtistCloseUp , #40;
- 2026: « Return of Poseidon » watercolor and artistic statement featured in Luxury Edition of Art Market Expert’s « Top Investable Artists 2026: The Definitive Guide for Collectors, Investors, and Art Professionals« .
- 2026: « Finalist Award« for Botanicals Art Exhibition of the Art Room Gallery;
- 2026: « Honorable Mention » award with watercolor Flowers of El Salvador in Teravarna’s 11th Flower International Juried Art Competition;
- 2026 : « Honorable Mention« award and online presentation of two watercolors by the Online Contemporary Art Room Gallery;
- 2026: two page feature with two works and statement in February 2026 #47 of Visual Art Magazine;
- 2026: Selected « Signature Artist » by the Circle Foundation for the Arts (CFA) in the 7th International CFA Artist of the Year Contest;
- 2026: Engraving « Garden in Argenteuil« , selected for publication in Arts to Hearts Magazine Issue 12;
- 2026: « Honorable Mention Award » from the Grey Cube Gallery, for two engravings: « Garden in Argenteuil » and « Winter in Argenteuil »;
- 2026: « Finalist Certificate« of the Circle Foundation for the Arts (CFA) for the Zurich Art Exhibition with his etching « Winter in Argenteuil »;
- 2026: « Finalist Award » in the « Shades of Blue 2026 » contest of Camelback Gallery, for watercolor « The Return of Poseidon« ;
- 2026: « Honorable Mention Award« , in Teravarna’s 10th COLOR International Juried Art Competition.
- 2026: « Honorable Mention Award » from the Golden Duck Gallery of Budapest, Hungary, for my engraving Flemish Fisherman.
- 2026: « Finalist Certificate« in the 76th Artavita International Online Art Contest competing for the Artavita Artist of the Year 2025 contest.
- 2026: « Honorable Mention Award » in the « 12th Portrait » 2026 International Juried Art Competition of International Art Gallery Taravarna.
- 2026: Engraving « View on the Thames, London 1902 » featured in Spotlight Contemporary Art Magazine #43.
- 2026: Portfolio of ten watercolors and etchings, together with his artistic statement, listed in the « Investable Artists 2026 Online Directory, » a platform produced by Art Market Experts;
- 2026: Color engraving, Farmers of Sudan, on show at 3D virtual exhibition « Global Horizons, a celebration of Artistic Expression », organized Artio Gallery and refenced by online directory of Kunstmatrix.
- 2026: « Exhibition Winner » award for the 5e Colors Art Exhibition of Artist Space Gallery;
- 2025: « Finalist Award » de Camelback Gallery, Scottsdale, Arizona, in « My Best Work of 2025 Art Awards ».
- 2025 : « Prix Mona Lisa de la peinture » awarded by Galerie Mona Lisa, Paris 75007 ;
- 2025 : Extensive interview of Karel Vereycken, on his creative method and critique of Modern Art published in « Contemporary Art Curator Magazine. »
- 2025 : « Artist of the Month » for November 2025 by Camelback Gallery, Scottsdale, Arizona, USA;
- 2025 : « Finalist« award by the Circle Foundation of the Arts (CFA) of New York to be on show at ARTshopping exhibition at the Carrousel du Louvre in April 2026;
- 2025 : Selected for a feature article in London’s Independant Contemporary Art Magazine Divide (#16, p. 91).
- 2025: « Honorable Mention » Award, pour le concours « 10th FIGURATIVE » of Teravarna, Los Angeles, USA;
- 2025: « Talent Prize Award » for the « 13th OPEN » International Juried Art Competition ofTeravarna, Los Angeles, USA;
- 2025: Selected by Culturale Lab (Lyon) to be included in the book « 100 Artists of Europe » to be published in Spring 2026;
- 2025: Top Category Award for Printmaking, Circle Foundation of the Arts (CFA) of New York, USA ;
- 2025: « Talent Prize Award« for the « 13th ANIMAL » International Juried Art Competition de Teravarna, Los Angeles, USA;
- 2025: « Honorable Mention Award » for the « 8th WATER » International Juried Competition de Teravarna, Los Angeles, USA;
- 2025: « Collectors Art Prize – Art Legends of Our Time« , prestigeous prize awarded by « Art Curator Magazine« ;
- 2024: « Art Closeup Magazine« , extensive interview;
- 2023: « Development Revolutions Award » for « his reliable efforts toward Global Stable Peace » by Siddiq Mansoor Ansari, the Chairman of the Cultural Alliance for Dynamic Economy, the Federation of Afghanistan’s Civil Society and the Afghan Professionals Global Association, Afghanistan;
- 2019: « Certificate of Artistic Achievement« , Luxembourg Art Prize;
- 2018: « Certificate of Artistic Achievement« , Luxembourg Art Prize;
- 2017: « Certificate of Artistic Achievement« , Luxembourg Art Prize;
- 2000: « Mention« , by the Académie of Sénart for his painting (77);
- 1998: « Prize for Watercolor« , awarded by Arts-sur-Seine, Yearly Art Exhibit of the city of Asnières (92);
- 1994: « Bronze Medal » for activity as « artistic animator », awarded by Arts-Science-Lettres, under the tutelage of the French Academy, Paris;
- 1994: « Prize for Oilpainting« , awarded by Arts-sur-Seine, yearly Salon of the city of Asnières (92).
Karel Vereycken in World Art Collection book


Karel Vereycken’s profile and artwork is featured in the « World Art Collection« , an incredible international project by Culturale Lab that brings together more than 5,000 artists from every corner of the globe, creating a monumental publication that celebrates creativity in all its forms.
The World Art Collection will be officially unveiled in New York City in September/October 2026. The book launch will be documented and shared across all platforms. This might be the biggest art project book ever created, connecting artists, galleries, and art lovers worldwide.
A link to the event and the publication will become available in October 2026.
Karel Vereycken wins Honorable Mention Award in Teravarna’s 15th Open


Franco-Belgian painter-engraver Karel Vereycken was informed on Sept. 24, 2026 that he won an Honorable Mention Award with his watercolor « Minerva, Goddess of Peace » in Teravarna’s « 15th Open » international juried art competition.
This work and other works of Karel Vereycken will be on show Nov. 1-8 during a collective exhibition at the Galerie Mona Lisa, 32, rue de Varenne, Paris 75007.
Upcoming exhibits:
- CONFIRMED: 2026 : PARIS, France, physical, P.A.R.I.S. (Paris Art Renaissance & International Salon), Venue: Hôtel Particulier Beaujon, 8th Arrondissement, Paris; Dates: November 23 – December 6, 2026; Gala Night: November 25, 2026;
- CONFIRMED: 2026: PARIS, France, Nov. 1-8, physical, Galerie Mona Lisa, 32, rue de Varenne, 75007, Paris, France.
- CONFIRMED: 2026, PARIS,ART SHOPPING, digital, booth of ARTBOXY, 23-25 October, Carrousel du Louvre, 99, rue de Rivoli, 75001 Paris, France;
- CONFIRMED: 2026: LUZERN, Switzerland, 22–25 October, digital, ARTS CROSSROAD 2026, Switzerland, Kunstmesse;
- CONFIRMED: 2026: OSAKA, Japan, 16-19 October, digital, ARRIVAL GALLERY ART SHOW, 2 Chome-10-16 Higashitenma, Kita Ward, Osaka, 530-0044.
- CONFIRMED: 2026: MONTREUIL, 9-11 October, physical, UNDER PRESSURE, exposition d’estampes à l’Atelier Bo Halbirk, 1 rue Garibaldi, Montreuil (Métro Robespierre);
- CONFIRMED: 2026: SAN SALVADOR, El Salvador, October 7-November 4, physical, SUMARTE Art show and auction at Modern Art Museum (MARTE).
- CONFIRMED: 2026: CHICAGO, United States, 7-10 October, digital, Chicago Art Fair, booth 4094 of the Circle Foundation for the Arts (CFA), World Wide Art & Artavita. Venue: The MART, 222 W Merchandise Mart Plaza, Chicago, IL;
Karel Vereycken wins Noble Art Award for Outstanding Contribution to Artistic Heritage




On Sept. 2, 2026, Franco Belgian painter engraver Karel Vereycken received the following message from Contemporary Art Collectors:
« Dear Karel,
Congratulations once again on being selected as a winner of the Noble Art Award | For Outstanding Contribution To Artistic Heritage.
We are pleased to share with you the link to your official Noble Art Award Winner’s Profile:
https://www.contemporary-art-collectors.com/winners/karel-vereycken«
The online profiles of the winners will be edited as a book to be published later this year under the title « Noble Art Award for Outstanding Contribution to Artistic Heritage ».


Below, the raison d’être and the significance of the reward as explained on the website of Contemporary Art Collectors:

The NOBLE ART AWARD, FOR OUTSTANDING CONTRIBUTION TO ARTISTIC HERITAGE, presented by Contemporary Art Collectors, recognizes artists whose sustained creative practice represents a significant contribution to contemporary art and to the broader continuum of artistic heritage.
The Award is conceived around an understanding of artistic heritage as a living and continuously developing field. Heritage does not belong exclusively to the historical past; it is also formed through the artistic practices, ideas, visual languages, and cultural positions that emerge in the present. Within this perspective, contemporary artistic practice participates in an ongoing historical process, contributing to the ways in which art is understood, experienced, and transmitted across generations.
The NOBLE ART AWARD acknowledges artists whose work demonstrates artistic quality, dedication, innovation, and a sustained commitment to their practice. It recognizes the importance of an artistic journey developed over time and the capacity of an artist’s work to contribute meaningfully to the wider field of art.
Rather than approaching artistic achievement solely through immediate visibility or prevailing tendencies, the Award places emphasis on the enduring qualities of artistic practice. Its central consideration is the significance of the artist’s contribution: the seriousness with which a practice has been developed, the consistency of its artistic language, the level of commitment evident throughout the artist’s trajectory, and its contribution to the continuing development of visual culture.
Recognition of Artistic Contribution
The selection of a recipient represents recognition of the artist’s talent, dedication, innovation, and contribution to the Art World. It acknowledges an artistic practice that has developed with purpose and consistency and whose work has achieved significance within a broader cultural context.
The Award considers artistic achievement not simply as the production of individual works, but as the development of an artistic trajectory. Within such a trajectory, individual works become part of a larger practice—one shaped by the artist’s evolving ideas, methods, decisions, and commitment to artistic production.
In this sense, the NOBLE ART AWARD recognizes both achievement and continuity. It acknowledges what an artist has established through their practice while situating that contribution within a larger cultural and historical framework.
Recognition through the Award also brings increased attention to the recipient’s practice, contributing to its visibility within the international art context. This visibility is understood as part of a broader process of cultural recognition: the identification of artistic practices considered worthy of sustained attention and inclusion within contemporary artistic discourse.
A Curatorial Process
The NOBLE ART AWARD is not open for application. Participation is by invitation only, with artists identified through a global curatorial selection process.
This structure distinguishes the Award from open-call competitions and application-based prizes. Artists do not nominate themselves or submit an application for consideration. Instead, the selection process is initiated curatorially, through the identification of artistic practices considered relevant to the principles and purpose of the Award.
The curatorial process places emphasis on artistic quality, sustained practice, dedication, innovation, and contribution to the field of art. Central to this approach is a preference for enduring artistic value over temporary trends. The Award therefore seeks to consider artistic practice within a longer cultural perspective rather than through the immediate conditions of fashion or visibility.
Such an approach reflects the Award’s relationship to the idea of heritage itself. If artistic heritage is understood as something that develops across time, the evaluation of contemporary practice necessarily requires attention to qualities that may extend beyond the present moment.
Beyond the Immediate Present
The distinction between the contemporary and the historical is never absolute. Works created today enter an existing cultural dialogue while simultaneously contributing to the material from which future histories of art will be constructed.
The NOBLE ART AWARD is situated within this intersection between present artistic practice and future cultural memory. Its focus on outstanding contribution to artistic heritage reflects an understanding that the history of art remains open: it is continually expanded by artists whose work becomes part of the cultural experience of their time.
For this reason, the Award considers artistic practice not only in relation to contemporary recognition but also in relation to continuity. The emphasis on timeless mastery articulated by the Award refers to this longer view—an attention to artistic qualities that are not dependent solely upon passing tendencies, but that emerge through commitment, development, and sustained artistic work.
The Award consequently proposes a form of recognition grounded in duration. It acknowledges that artistic significance is rarely contained within a single moment and that an artist’s contribution is often revealed through the cumulative development of a practice.
The Artist Within the Living History of Art
Art history is not only the account of what has already been established. It continues to be formed through the work of practicing artists and through the ways their contributions are recognized, interpreted, documented, and carried forward. Contemporary artists therefore occupy a particular position: they work within the present while simultaneously producing part of the cultural material through which that present may eventually be remembered.
The Award’s reference to the living history of art expresses this relationship between artistic practice, recognition, and cultural continuity. To recognize an artist’s contribution to artistic heritage is to acknowledge that heritage itself remains unfinished.
Within this framework, receiving the NOBLE ART AWARD, FOR OUTSTANDING CONTRIBUTION TO ARTISTIC HERITAGE marks a significant moment in an artist’s professional trajectory. It recognizes the quality and importance of the artist’s work, the dedication demonstrated throughout their artistic journey, and their contribution to the enrichment of the Art World.
The NOBLE ART AWARD is therefore conceived not simply as a prize, but as a form of curatorial recognition: an acknowledgment of artistic practice as part of an evolving cultural history and of the artist’s contribution to the continuing formation of artistic heritage.
Karel Vereycken wins Honorable Mention Award in Flower Painting Contest

On September 9, 2026, Franco-Belgian painter engraver Karel Vereycken was informed that he won an « Honorable Mention Award » in Teravarna‘s international juried art competition « 12th Flower » for his watercolor « Flore de Sète » (2026).

Karel Vereycken selected Finalist for Chicago Art Fair

Today, Franco-Belgian painter and engraver Karel Vereycken was informed by the Circle Foundation for the Arts (CFA) about the results of the Chicago art contest in which he participated with his engraving « The Coincidence of Opposites » (2026) :
With over 182 participating artists submitting artwork across a wide range of styles and media, selecting only a few pieces was not an easy task. Our goal is to provide variety, uphold inclusivity, and showcase a spectrum of notable approaches to contemporary art. We aim to offer our visitors at the Chicago fair the level of quality we are known for while also presenting something fresh and pleasantly unexpected.
I am very pleased to let you know that your work really stood out, and you have been selected as one of our 30 Contest Finalists. Congratulations!
As a Finalist, you are invited to exhibit with us at Chicago Art Fair

Karel Vereycken Gets First Prize at Romanian « Festival 4 Arts »

I’m very proud of receiving — for my engraving The Coincidence of Opposites — the First Prize of the 7th edition of the Romanian Festival 4 Arts. Many thanks and congratulations for all the young and less young artists and colleagues. Gives me a lot of hope!

Karel Vereycken longlisted for Artist of the Year Award

On July 29, Franco-Belgian painter-engraver Karel Vereycken was informed by the Visual Artists Association (VAA, based in London, UK) :
Dear Karel,
Thank you for applying to the Artist of the Year Awards 2026. We are delighted to inform you that you have been longlisted and will now progress to the second stage of the art prize – a massive congratulations!
With such a strong range of entries received this year, reaching the longlist is a fantastic achievement and reflects the strength of your submission. The judging process will now continue, with shortlist results expected to be announced in September 2026.
Karel Vereycken wins Curator’s List award in Book Cover Contest

On July 8, 2026, Painter engraver Karel Vereycken was informed by the Circle Foundation for the Arts (CFA) that he won an award, « presented in recognition of your artwork’s ‘The Coincidence of Opposites’ outstanding aesthetic and technical quality, having been selected for the Curator’s List of favorite submissions in the Art IDEAL Book Cover Contest, June/July 2026, hosted by Circle Arts.«

Karel Vereycken gets honorable mention in Portrait art contest



On July 8, 2026, painter engraver Karel Vereycken was informed, that with his engraving Fisherman 2, he obtained an Honorable Mention Award in Teravarna’s « 13th Portrait » 2026 International Juried Art Competition.
Karel Vereycken’s engraving « Coincidence of Opposites » wins Honorable Mention

On June 15, 2026, the Circle Foundation for the Arts (CFA) informed Franco-Belgian painter engraver Karel Vereycken about the results of the Artist of the Month’s contest. Vereycken had filed participation with his latest engraving, « The Coincidence of the Opposites »:
« Your work did stand out to me, for it’s remarkable aesthetic and originality, and you have been selected for an Honorable Mention. »
Karel Vereycken awarded by FineArtsNews

On May 25, 2026, Franco-Belgian painter engraver and arthistorian Karel Vereycken was awarded a certificate by FineArtsNews, « in recognition of being featured as a spotlight artist on FineArtsNews. This distinction celebrates your exceptional talent, artistic vision, and significant contribution to the contemporary art community. »
Karel Vereycken wins Honorable Mention in Realism contest

On May 16, 2026, Franco-Belgian painter engraver Karel Vereycken was informed by Art&Color365 Magazine:
« Congratulations — you have won an Honorable Mention award in our 2026 Realism competition. »
Karel Vereycken wins Honorable Mention in landscape contest


On May 7, 2026, Franco-Belgian painter engraver Karel Vereycken, was informed he won a « Honorable Mention Award » in the « 13th Landscape » international juried Art competion of Teravarna.

Karel Vereycken wins Megalopolitan Art Gallery’s Talent Prize

On May 1st, franco-belgian painter and engraver Karel Vereycken received the following news from the Megalopolitan Art Gallery:
« Congratulations! It is our privilege to announce that your artworks have been selected for Portrait, 2026 International Online Exhibition. The jury has recognized your exceptional work with the Talent Prize award. »
The exhibition is now live at: https://megalopolitanart.com/current

Karel Vereycken awarded Honorable Mention in 14th Open Art Competition


In April 2026, Karel Vereycken‘s watercolor « The Crab » obtained an « Honorable Mention » at 14th « Open » International Juried Art Contest of Teravarna.
Karel Vereycken finalist for Cover Contest Art Magazine


On March 10, Franco-Belgian painter engraver Karel Vereycken was informed that he was selected as one of the 30 finalist of the cover contest for Spotlight Magazine.
« With over 280 participating artists from 40 countries submitting work across a wide range of styles and media, selecting only a few pieces was not an easy task. While your work was not selected for the magazine cover, I am very pleased to inform you that you have been chosen as one of 30 Contest Finalists. This distinction reflects the strength and quality of your work among a highly competitive international selection. »
Karel Vereycken Finalist for Santa Fe Art Show

On April 7, 2026, Franco-Belgian painter engraver Karel Vereycken received a Finalist Certificate « for artwork submitted and distinguised in the 78th Artavita Online Art Contest competing for exhibition in Santa Fe ».
A Milan, Karel Vereycken appelle à une « nouvelle Renaissance »


Le 21 mars, lors de la remise du Prix international « Le Génie universel – Hommage à Léonard de Vinci », dans l’auditorium du prestigieux Musée national des sciences et des techniques Léonard de Vinci, à Milan, le peintre graveur Karel Vereycken a lancé un appel en faveur d’une « Nouvelle Renaissance ».

Venus de soixante pays, une bonne centaine d’artistes et d’amateurs d’art assistaient à la cérémonie.
En guise de clôture, un représentant diplomatique du Mexique a félicité organisateurs et artistes présents.
Avant de se métamorphoser en fondation, c’était une association destinée à promouvoir les artistes débutants et confirmés. Galerie d’art et éditeur, la Fondation organise régulièrement des expositions internationales dans de nombreuses villes italiennes et étrangères.
Les finalistes avaient été sélectionnés pour la consistance artistique de leur démarche par les conservateurs de la « Fondazione Effetto Arte » de Palerme.
Concernant leur mission, les organisateurs écrivent sur leur site :
« Nous sommes convaincus que nos expériences doivent se concrétiser et s’étendre, afin de contrer l’aplatissement intellectuel de notre époque. Plus que jamais, en ce moment historique, l’art a besoin d’espaces de participation maximale pour que le grand public puisse y prendre part. C’est la voie que nous nous engageons à suivre pour les événements futurs, afin de permettre à un nombre croissant de personnes d’entrer en contact avec la dimension artistique, de la manière la plus simple et la plus directe, comme un moment de partage social avec les communautés artistiques. »
Vereycken n’était que l’un des nombreux lauréats primés. Remerciant les organisateurs pour cette distinction, plusieurs artistes ont expliqué en quoi Léonard de Vinci avait été pour eux une source d’inspiration personnelle et constante.
L’un d’eux a déclaré :
« À 28 ans, je pouvais reproduire de mémoire la plupart des tableaux de Léonard. »
Nombre d’entre eux, très émus, ont évoqué leur art, non seulement comme un refuge face à l’anxiété envahissante du moment présent, mais aussi comme un moyen pour combattre et réduire la menace d’une guerre imminente.
Discours

Chers organisateurs, chers collègues, honorables invités,

Tout d’abord, félicitations à vous tous, et plus particulièrement aux graveurs, car nous nous faisons rares. Voici ma gravure sur cuivre. (Apparaît sur grand écran « Le pêcheur flamand », à gauche sur la photo du catalogue.)
C’est avec un grand honneur et un immense plaisir que j’assiste à cet événement important et que j’accepte cette distinction.
Je tiens à féliciter les organisateurs pour cette initiative. Jamais le moment n’a été plus opportun pour rendre hommage au génie de la Renaissance, Léonard de Vinci, car aujourd’hui, en ces temps sombres de guerre, de corruption et de déprévation, il est absolument urgent que nous, artistes et amateurs d’art, renouions avec les plus hautes exigences.
Où en est le monde aujourd’hui ? Nous sommes entrés dans le siècle de la supercherie absolue, où de fausses informations et de fausses monnaies sont produites par de fausses élites se servant de l’intelligence fausse pour manipuler l’information, tout en poussant le monde réel à de véritables guerres contre de véritables êtres humains.
Pire encore pour les arts : le meurtre, la guerre et même le génocide sont promus sur internet comme des œuvres d’art à vendre.
Réveillons-nous ! Déjà en 1789, alors que les révolutions balayaient l’Europe, le poète allemand Friedrich Schiller, dans un poème, soulignait l’importance de l’ART :
« Artistes ! La dignité de l’homme est remise en vos mains : gardez-la ! Elle tombe avec vous ! Avec vous elle s’élèvera ! »
Par conséquent, une nouvelle Renaissance n’est pas un simple rêve. Il faut la concrétiser à nouveau, afin de réhumaniser l’humanité et de recréer l’empathie nécessaire au dialogue et à la compréhension mutuelle.
Milan est un lieu idéal pour jouer un rôle majeur dans cette nouvelle Renaissance. C’est ici, au palais de Ludovic Sforza, qu’une jeune et brillante poétesse, Cecilia Gallerani, dont le portrait nous est familier grâce à la « Dame à l’hermine », initia Léonard de Vinci à ses discussions musicales, poétiques et philosophiques – une rencontre qui marqua sans conteste l’ascension de Léonard de Vinci au rang de génie.
Pour lui, comme pour le penseur de la Renaissance Nicolas de Cues, dont les écrits furent lus ici, il nous faut apprendre à déchiffrer le macrocosme invisible à travers le microcosme. Le monde a besoin de nouvelles Cecilia et de nouveaux Léonard.
Mettons fin dès maintenant au « siècle de la supercherie » en organisant ensemble, grâce à des concours artistiques de grande qualité, une nouvelle Renaissance qui célèbre la beauté et la dignité intérieure.
Tel est le défi que nous devons relever aujourd’hui.
Merci.




Karel Vereycken rewarded in Milan, calls for a “New Renaissance”


On Sat. March 21, 2026, invited to assist in Milan, Italy, at the Awarding Ceremony of the International Prize “The Universal Genius – Tribute to Leonardo da Vinci” held at the prestigious National Museum for Science and Technology Leonardo da Vinci, painter engraver and historian Karel Vereycken, presented a 3 minute call for a “New Renaissance”.
Over a hundred artists and art lovers filled the auditorium and a diplomatic representative of Mexico made one of the concluding statements of the event.
Finalists for the Prize were selected for their consistency by the curators of the “Effeto Arte Foundation” of Palermo. Before becoming a Foundation, the organizers created an art gallery and a publishing group, organizing large international exhibitions every two years in numerous Italian and foreign cities.
Regarding their mission, they write: “We believe that our experiences must be turned into realities to be expanded, to counteract the intellectual flattening of our time. Especially in this historical moment, art needs spaces of maximum participation so that even the general public can take part in it. This is the path we are committed to follow for future events, in order to allow an increasing number of people to get in touch with the dimension of art, in the simplest and most direct way, as a moment of social aggregation with the artistic communities.”
Vereycken was one among the many honored with the Prize. Thanking the organizers for awarding them, several artists explained why Leonardo had been a personal and lifelong source of inspiration.
One artist said: “when I was 28, I could reproduce by memory most of Leonardo’s painting”.
Many were emotional and connected their art, not only as a shield to protect themselves from anxiety, but as a means to change the current situation of looming war.


Dear organizers, dear colleagues, honorable guests,
First congratulations to all of you and especially to the print-makers because we are becoming rare. This is my etching on copper the « Flemish Fisherman » (image on a large screen).

It is with great honor and an immense pleasure that I attend this important event and accept this kind award. Allow me to congratulate the organizers for this initiative.
Never has there been a more appropriate moment to pay tribute to the Renaissance genius Leonardo da Vinci, because today, in these dark times of war, corruption and depredation, it is an absolute urgency that we, the artists and the art-lovers, return to the highest standards.
Where stands the world today? We have entered the century of absolute fakery, with fake news and fake currencies being produced by fake elites using fake intelligence but pushing the real world to real wars against real human beings.
Even worse for the arts, the fact that killing, murder, war and even genocide are promoted on internet as aesthetic artifacts for sale.
Let’s wake up
Already in 1789, while revolutions swept over Europe, the German poet Friedrich Schiller, in a poem, underscored the importance of ART:
“Artists!
“Man’s honor is confided to your hand,—
There, let it well protected be!
It sinks with you! with you it will expand!”
Therefore, a new Renaissance is not just a nice thing to dream about. It has to be undertaken once again, to re-humanize mankind and to recreate the required empathy for dialogue and mutual understanding.
Milan is one of the perfect places to play a major role in such a new Renaissance.
Because it was here, in the palace of Ludovico Sforza, that a brilliant young female poet, Cecilia Gallerani, whose portrait we know from the “Lady with the Ermine”, recruited Leonardo da Vinci to her musical, poetical and philosophical discussions, an encounter that clearly marked da Vinci’s rise as a towering genius. For him, just as for the renaissance thinker Nicholas of Cusa, whose writings were read here, we have to learn how to read the invisible macrocosmos in the microcosmos.
The world needs new Cecilia’s and new Leonardo’s.
Let us end the “Century of Fakery” now by organizing together, with art contests of the best kind, a new Renaissance honoring beauty and inner dignity. That is the challenge for all of us today.
Thank You,



