Étiquette : gravure
Du 2-7 nov. 2026 à Paris, Karel Vereycken à la Galerie Mona Lisa

Dans le cadre d’une exposition collective, le peintre Franco-Belge Karel Vereycken, exposera ses plus belles oeuvres de l’année 2026 à la Galerie Mona Lisa, 32, rue de Varenne, 75007 Paris, du mardi 3 au samedi 7 novembre 2026 de 14h à 18h30.
Entretien avec Nohô: Karel Vereycken, graveur, historien de l’art et passeur d’humanité

Le 22 octobre 2026, NOHÔ, « la plateforme des passionnés, » a publié un entretien avec le peintre-graveur Franco-Belge Karel Vereycken.

Source: Nohô
Il y a des gens dont la vie entière ressemble à une oeuvre. Karel Vereycken est de ceux-là.
Né à Anvers en 1957, formé à l’Institut Saint-Luc puis à l’Académie royale des beaux-arts de Bruxelles, il a traversé six décennies en dessinant, gravant, écrivant, enseignant et exposant aux quatre coins du monde. Aujourd’hui actif à Montreuil, en Île-de-France, il propose sur Nohô quelque chose de rare : une heure en compagnie d’un homme qui aime l’art autant qu’il aime en parler.
Peux-tu te présenter ?
Je suis né à Anvers en Belgique en 1957. Mon père m’emmenait dans les musées d’Anvers, où l’on pouvait voir des oeuvres de Bruegel, de Rubens, de toutes sortes de peintres. Ça m’a plu. J’ai fait une école de dessin, puis l’Institut Saint-Luc à Bruxelles pour les arts plastiques. Ensuite j’ai fait une spécialisation en gravure à l’Académie royale des beaux-arts de Bruxelles. J’y ai obtenu un certificat de passage avec distinction. Je me suis ensuite rendu en France, j’ai exercé différents métiers. Cependant, j’ai toujours gardé une passion pour l’histoire, et pour l’histoire de l’art en particulier. J’ai fait des conférences sur les grands peintres. J’ai enseigné le dessin, et j’ai écrit une centaine de textes sur l’histoire de l’art, pas seulement européen, aussi l’art de la Chine, de l’Afrique et d’autres continents.
Depuis mes 60 ans, j’ai créé un site internet pour présenter mon travail, et ça a fait boule de neige. J’ai actuellement un tableau exposé au Salvador, une exposition en digital à Chicago, une autre à Osaka au Japon, et deux expositions à Paris cet automne, en physique et en digital, au Carrousel du Louvre.
Quels sont tes prochains projets artistiques ?
Mon premier projet, c’est un livre que je viens de finaliser. C’est un dialogue visuel entre des peintres flamands et l’art de Léonard de Vinci, autour du thème des grotesques. Des peintres flamands comme Brueghel, qui avaient beaucoup d’humour et une façon très singulière de représenter le monde. Il y a eu des relations très étonnantes entre l’Italie et les Flandres autour de l’art, et j’ai hâte de voir comment ce livre va sortir.

Par ailleurs, je travaille en ce moment sur une série de gravures : des portraits de pêcheurs flamands. Des gens dont le visage est sculpté par le sel de la mer du Nord, qui ont frotté leur corps au réel. Ils sont abîmés, mais ils ont une âme, une dignité qui force le respect. J’en ai fait quatre, et j’aimerais en faire encore deux supplémentaires.
Que proposes-tu sur Nohô ?
Toute ma vie, j’ai eu un plaisir immense à partager. Je ne propose pas de découvrir mon ego, mais de découvrir une dimension de l’art que j’ai une certaine capacité à faire aimer. Je t’ouvre les portes de mon univers autour de la gravure sur cuivre et sur zinc : les plaques de métal, les encres, le papier humide, tout ce qui se joue entre l’idée de départ et l’estampe finale. On commence par feuilleter ensemble mes gravures. Je montre comment naît une eau-forte, ce que changent la pointe sèche, la roulette, l’aquatinte ou le vernis mou, et pourquoi une même plaque peut donner des tirages tous différents. Derrière chaque œuvre il y a une histoire, et on prend le temps d’en parler. L’art du dessin vient en dessinant. Il suffit d’être curieux.
Quand l’art donne envie d’aller plus loin
Sur Nohô, certaines rencontres ouvrent des portes qu’on ne savait pas fermées. Celle de Karel Vereycken en fait partie. Pas un cours magistral, pas une visite de musée : une conversation avec quelqu’un qui a consacré sa vie à comprendre l’art et à donner envie aux autres de s’y aventurer. Une heure à Montreuil, et on ne regarde plus une gravure de la même façon.
Exposition de Karel Vereycken à Galerie 24b à Paris

CONFIRMED:
The etching « The Coincidence of Opposites » of Franco-Belgian painter engraver Karel Vereycken, will be physically on show at the Paris Art Expo at Galerie 24-B on Dec 2-6, 2026 in Paris.
Address:
Galerie 24b
24 bis Rue Saint-Roch, 75001 Paris, France
Organised by MUSA International Art Space who produced this wonderful poster.
https://www.instagram.com/musainternationalartspace
Karel Vereycken selected for « 101 Art Book : Faces Edition »

On Oct. 14, 2026, Franco-Belgian Painter engraver Karel Vereycken was informed that his work was selected to be inclued in « 101 Art Book: Faces Edition » published by Arts to Hearts Project.
According to the publisher:
« 101 Art Book: Face Edition is a carefully curated hardcover publication that brings together 101 artists, each exploring one of the most timeless and expressive subjects in art—the face. While every artist begins with the same theme, no two interpretations are alike. Together, these works reveal the incredible diversity of contemporary artistic practice and the countless ways we understand identity, emotion, and human connection. »
More news to follow.
Karel Vereycken Selected for New Road 2 Art Digital Expo


Le peintre-graveur franco-belge Karel Vereycken a été sélectionné pour participation au concours et « Paysage et vues urbaines » et l’exposition digitale de la plate-forme internationale New Road 2 Art.
Un lien sera bientôt disponible pour accéder à l’événement.

Karel Vereycken on show in Luzern, Switzerland


The Coincidence of Opposites, an engraving of Franco-Belgian painter engraver Karel Vereycken will be digitally on show at the Arts Crossroad Kunstmesse Luzern 2026 (also known as the Contemporary Art Fair Luzern).
The exhibition will take place from 22 to 25 October 2026.
This annual contemporary art fair serves as an intimate, highly curated platform featuring works from a maximum of 40 local and international artists across 500 square meters of exhibition space.

Event Overview
- Venue: Held at the historic Kornschütte building in the heart of Lucerne, Switzerland.
- Admission: Entry is free for all visitors.
- Exhibits: The fair features a mix of physical installations (paintings, sculptures, mixed media) alongside a specialized Digital Wall showcasing global art on premium gallery displays.
Opening Hours
- Thursday, 22 October: 17:00 – 21:00 (Opening & Vernissage)
- Friday, 23 October: 10:00 – 18:00
- Saturday, 24 October: 10:00 – 18:00
- Sunday, 25 October: 10:00 – 17:00
Karel Vereycken invited artist at El Salvador’s Sumarte+ Art expo



As an « Invited Artist », Franco-Belgian painter engraver Karel Vereycken’s engraving Tree of Life (2026) will be on show at the prestigeous Sumarte +, a dynamic art platform for many artists in Central, South America and beyond.
SUMARTE is the 23rd annual exhibition and art auction organized to support the educational and social programs of the Museum of Art of El Salvador
The contest and exhibit are managed by an independent committee, that aims to support artists and promote national art collecting.
It consists of a selection process, competition, exhibition, and auction of works by established artists and emerging talents.
In turn, it serves as a platform for specialization for young or emerging artists through the « SUMARTE Unique Prize » and an artist residency for young talent.
The auction committee, familiar with the national market and the interests of participating collectors, invites certain artists to participate in the Guest Artists category.
However, recognizing the potential for emerging artists or new and innovative artistic proposals, the committee also organizes an open call each year for artists not directly invited to the auction. This competition aims not only to showcase new artists but also to foster their professional development, as they must be selected by an independent jury, meet specific criteria, and participate in a selective process to become Selected Artists.
SUMARTE is a high-quality and successful event that would not be possible without the invaluable support of the artists who respond to our call, the generosity of collectors, and the support of our sponsors. Thanks to this effort, the continued existence of the MARTE Museum and its educational, social, and artistic programs is guaranteed.
SUMARTE features an art exhibition and auction to benefit the El Salvador Art Museum (MARTE). It is held annually.
All the works selected from the competition and those of the invited artists are exhibited in the SUMARTE exhibition between October 7 and November 4, 2026.

The full catalogue with all the sponsors and participants can be seen here:
Karel Vereycken’s etching on show in Osaka, Japan



Franco-Belgian painter engraver Karel Vereycken was selected by Japan’s ARRIVAL GALLERY to exhibit (digitally on screen) his engraving Coincidence of Opposites, at the upcoming art exhibition that will take place in Osaka, Japan.
The ARRIVAL Gallery Art Show in Osaka is a curated international contemporary group exhibition showcasing selected artists from across the globe. This is the first time the artists works will be presented in a major asian country.
Dates :
- October 16, 2026: Opening Reception from 19:30 to 22:00.
- October 17–19, 2026: General Gallery Hours from 11:00 to 17:00 daily.
Venue:
The exhibition is being hosted at MAG Minamimorimachi Art Gallery,
2 Chome-10-16 Higashitenma, Kita Ward,
Osaka, 530-0044, Japan.
Karel Vereycken wins Noble Art Award for Outstanding Contribution to Artistic Heritage




On Sept. 2, 2026, Franco Belgian painter engraver Karel Vereycken received the following message from Contemporary Art Collectors:
« Dear Karel,
Congratulations once again on being selected as a winner of the Noble Art Award | For Outstanding Contribution To Artistic Heritage.
We are pleased to share with you the link to your official Noble Art Award Winner’s Profile:
https://www.contemporary-art-collectors.com/winners/karel-vereycken«
The online profiles of the winners will be edited as a book to be published later this year under the title « Noble Art Award for Outstanding Contribution to Artistic Heritage ».


Below, the raison d’être and the significance of the reward as explained on the website of Contemporary Art Collectors:

The NOBLE ART AWARD, FOR OUTSTANDING CONTRIBUTION TO ARTISTIC HERITAGE, presented by Contemporary Art Collectors, recognizes artists whose sustained creative practice represents a significant contribution to contemporary art and to the broader continuum of artistic heritage.
The Award is conceived around an understanding of artistic heritage as a living and continuously developing field. Heritage does not belong exclusively to the historical past; it is also formed through the artistic practices, ideas, visual languages, and cultural positions that emerge in the present. Within this perspective, contemporary artistic practice participates in an ongoing historical process, contributing to the ways in which art is understood, experienced, and transmitted across generations.
The NOBLE ART AWARD acknowledges artists whose work demonstrates artistic quality, dedication, innovation, and a sustained commitment to their practice. It recognizes the importance of an artistic journey developed over time and the capacity of an artist’s work to contribute meaningfully to the wider field of art.
Rather than approaching artistic achievement solely through immediate visibility or prevailing tendencies, the Award places emphasis on the enduring qualities of artistic practice. Its central consideration is the significance of the artist’s contribution: the seriousness with which a practice has been developed, the consistency of its artistic language, the level of commitment evident throughout the artist’s trajectory, and its contribution to the continuing development of visual culture.
Recognition of Artistic Contribution
The selection of a recipient represents recognition of the artist’s talent, dedication, innovation, and contribution to the Art World. It acknowledges an artistic practice that has developed with purpose and consistency and whose work has achieved significance within a broader cultural context.
The Award considers artistic achievement not simply as the production of individual works, but as the development of an artistic trajectory. Within such a trajectory, individual works become part of a larger practice—one shaped by the artist’s evolving ideas, methods, decisions, and commitment to artistic production.
In this sense, the NOBLE ART AWARD recognizes both achievement and continuity. It acknowledges what an artist has established through their practice while situating that contribution within a larger cultural and historical framework.
Recognition through the Award also brings increased attention to the recipient’s practice, contributing to its visibility within the international art context. This visibility is understood as part of a broader process of cultural recognition: the identification of artistic practices considered worthy of sustained attention and inclusion within contemporary artistic discourse.
A Curatorial Process
The NOBLE ART AWARD is not open for application. Participation is by invitation only, with artists identified through a global curatorial selection process.
This structure distinguishes the Award from open-call competitions and application-based prizes. Artists do not nominate themselves or submit an application for consideration. Instead, the selection process is initiated curatorially, through the identification of artistic practices considered relevant to the principles and purpose of the Award.
The curatorial process places emphasis on artistic quality, sustained practice, dedication, innovation, and contribution to the field of art. Central to this approach is a preference for enduring artistic value over temporary trends. The Award therefore seeks to consider artistic practice within a longer cultural perspective rather than through the immediate conditions of fashion or visibility.
Such an approach reflects the Award’s relationship to the idea of heritage itself. If artistic heritage is understood as something that develops across time, the evaluation of contemporary practice necessarily requires attention to qualities that may extend beyond the present moment.
Beyond the Immediate Present
The distinction between the contemporary and the historical is never absolute. Works created today enter an existing cultural dialogue while simultaneously contributing to the material from which future histories of art will be constructed.
The NOBLE ART AWARD is situated within this intersection between present artistic practice and future cultural memory. Its focus on outstanding contribution to artistic heritage reflects an understanding that the history of art remains open: it is continually expanded by artists whose work becomes part of the cultural experience of their time.
For this reason, the Award considers artistic practice not only in relation to contemporary recognition but also in relation to continuity. The emphasis on timeless mastery articulated by the Award refers to this longer view—an attention to artistic qualities that are not dependent solely upon passing tendencies, but that emerge through commitment, development, and sustained artistic work.
The Award consequently proposes a form of recognition grounded in duration. It acknowledges that artistic significance is rarely contained within a single moment and that an artist’s contribution is often revealed through the cumulative development of a practice.
The Artist Within the Living History of Art
Art history is not only the account of what has already been established. It continues to be formed through the work of practicing artists and through the ways their contributions are recognized, interpreted, documented, and carried forward. Contemporary artists therefore occupy a particular position: they work within the present while simultaneously producing part of the cultural material through which that present may eventually be remembered.
The Award’s reference to the living history of art expresses this relationship between artistic practice, recognition, and cultural continuity. To recognize an artist’s contribution to artistic heritage is to acknowledge that heritage itself remains unfinished.
Within this framework, receiving the NOBLE ART AWARD, FOR OUTSTANDING CONTRIBUTION TO ARTISTIC HERITAGE marks a significant moment in an artist’s professional trajectory. It recognizes the quality and importance of the artist’s work, the dedication demonstrated throughout their artistic journey, and their contribution to the enrichment of the Art World.
The NOBLE ART AWARD is therefore conceived not simply as a prize, but as a form of curatorial recognition: an acknowledgment of artistic practice as part of an evolving cultural history and of the artist’s contribution to the continuing formation of artistic heritage.
Karel Vereycken once again on show at Paris Carrousel du Louvre Art Exhibit



UPDATE: Taking into account the insecurity and riots in Paris, ARTBOXY cancelled its participation on which my presence depended. ARTBOXY, as a compensation offers all artist a free digital show with their works at an April 2027 London exhibition.
Three recent artworks of Franco-Belgian painter engraver Karel Vereycken have been selected by ARTBOXY to be exhibited (digitally on a screen at their booth), during ARTShopping 2026, a prominent international contemporary art exhibit in Paris.
One of Karel’s work was already shown on screen at the booth of Circle Foundation for the Arts (CFA) during the spring edition of ARTShopping earlier this year.
This year’s autumn edition of Art Shopping will once again take place at the Carrousel du Louvre (99, rue de Rivoli, Paris 75001):
— Friday, October 23, 2026 – Opening Night / Vernissage (by invitation only): 8:00 PM – 11:00 PM.
— Saturday, October 24, 2026: 11:00 AM – 8:00 PM.
— Sunday, October 25, 2026: 11:00 AM – 7:00 PM (last entry at 6:30 PM).

Karel Vereycken selected for Paris Art Renaissance & International Salon (P.A.R.I.S.)

On August 27, 2026, Franco-Belgian Painter and Engraver Karel Vereycken was informed by the Los Angeles based art platform TERAVARNA, that he was selected as one of the twenty artists invited to expose their works physically at the Paris Art Renaissance & International Salon (P.A.R.I.S.). To be noted, Karel Vereycken will be the unique French national at this prestigious exhibit in the French capital.
TERAVARNA:
« Congratulations! We are thrilled to inform you that you have been selected to showcase your artwork with TERAVARNA at the P.A.R.I.S. 2026 exhibition. This is a fantastic achievement, and we are honored to present your work to an international audience in Paris. »
His engraving « Flemish Fisherman » will be physically present at the show. The list of the 20 winners is here.

Event Details:
- Venue: Hôtel Particulier Beaujon,
208, rue Faubourg Saint-Honoré, Paris, 75008. - Dates: November 23 – December 6, 2026
- Gala Night: November 25, 2026.
Karel Vereycken selected Finalist for Chicago Art Fair

Today, Franco-Belgian painter and engraver Karel Vereycken was informed by the Circle Foundation for the Arts (CFA) about the results of the Chicago art contest in which he participated with his engraving « The Coincidence of Opposites » (2026) :
With over 182 participating artists submitting artwork across a wide range of styles and media, selecting only a few pieces was not an easy task. Our goal is to provide variety, uphold inclusivity, and showcase a spectrum of notable approaches to contemporary art. We aim to offer our visitors at the Chicago fair the level of quality we are known for while also presenting something fresh and pleasantly unexpected.
I am very pleased to let you know that your work really stood out, and you have been selected as one of our 30 Contest Finalists. Congratulations!
As a Finalist, you are invited to exhibit with us at Chicago Art Fair

Karel Vereycken Gets First Prize at Romanian « Festival 4 Arts »

I’m very proud of receiving — for my engraving The Coincidence of Opposites — the First Prize of the 7th edition of the Romanian Festival 4 Arts. Many thanks and congratulations for all the young and less young artists and colleagues. Gives me a lot of hope!

Karel Vereycken longlisted for Artist of the Year Award

On July 29, Franco-Belgian painter-engraver Karel Vereycken was informed by the Visual Artists Association (VAA, based in London, UK) :
Dear Karel,
Thank you for applying to the Artist of the Year Awards 2026. We are delighted to inform you that you have been longlisted and will now progress to the second stage of the art prize – a massive congratulations!
With such a strong range of entries received this year, reaching the longlist is a fantastic achievement and reflects the strength of your submission. The judging process will now continue, with shortlist results expected to be announced in September 2026.
Pêcheur flamand 3




Karel Vereycken’s work presented in Contemporary Art Curator Magazine

On June 16, the leading Contemporary Art Curator Magazine presented the art work and vision of Franco-Belgian Painter Engraver Karel Vereycken.
https://www.contemporaryartcuratormagazine.com/home-2/karel-vereycken-artist-spotlight
Karel Vereycken’s engraving « Coincidence of Opposites » wins Honorable Mention

On June 15, 2026, the Circle Foundation for the Arts (CFA) informed Franco-Belgian painter engraver Karel Vereycken about the results of the Artist of the Month’s contest. Vereycken had filed participation with his latest engraving, « The Coincidence of the Opposites »:
« Your work did stand out to me, for it’s remarkable aesthetic and originality, and you have been selected for an Honorable Mention. »
Karel Vereycken:以悖论式隐喻,显现无形之物


Posted on by Jonathan Hale
Also available in: EN ES FR DE IT
在一个充斥着浮光掠影与浅显直白的世界里,有这样一位艺术家,他致力于挖掘更深层的真理,将无形之物引入可见之境。Karel Vereycken 正是这样一位艺术家。他是一位版画家,其艺术之旅始于比利时的历史名城安特卫普,如今在法国的阿尔让特伊绽放光彩。他的作品超越了单纯的再现,通过精心构建的悖论式隐喻,深入探究人类经验的复杂织锦。Vereycken 的艺术不仅供人观赏,更是一场深刻对话的邀约,一场对塑造我们生活的无形力量的沉思。

Karel Vereycken 于1957年出生于安特卫普,他的艺术之路并非坦途,而是一场由际遇和内在驱动力共同塑造的丰富探索。他的父母在港口与船舶维修行业的背景下艰难谋生,但他们认识到文化熏陶对孩子成长的重要性。Vereycken 早年曾短暂学习音乐,后因刻板的教学方法而中断,转而进入一所社区绘画学校,正是这里为他未来的艺术生涯播下了种子。在雕塑家 Herman Cornelis 的指导下,他学会了观察与复制的力量,这位老师采用的是一种亲身实践、凭直觉教学的方式。十二岁时,他迎来了人生的一个关键时刻——赢得了他的第一个艺术奖项。这份认可,加上老师对他“宝贵天赋”的肯定,促使他接受更正规的训练。在母亲的鼓励下,他进入布鲁塞尔的圣卢克学院,沉浸在造型艺术的学习中。在这里,通过对解剖学以及达芬奇和阿尔布雷希特·丢勒等大师作品的严谨研究,他为理解形式与表达奠定了坚实的基础。随后,他在皇家美术学院继续深造,以“优异”的成绩获得了铜版画专业的结业证书,进一步巩固了他对技艺掌握的执着追求。
之后移居巴黎的时期,Vereycken 参与了多样的活动。他最初为一家非商业出版物从事新闻和编辑工作,但艺术的呼唤始终萦绕心头。他回归其艺术本源,起初探索古代绘画技术,使用手工制作的蛋彩和传统的油画技法重现古典大师的作品。这段时期虽然在技术探索上收获颇丰,但在展览方面却充满挑战,因为这些作品在他有机会展出之前就已被人收藏。这促使他重新将注意力转向水彩和精细的蚀刻版画工艺,这些媒介后来成为他创作实践的核心。
他持续参与法国的蚀刻版画社群,这体现了他对磨练技艺的不懈追求。作为法国国家版画联合会的成员,Vereycken 在 Atelier63 工作室提升了他的技术实力,并在丹麦版画家 Bo Halbirk 创立的蒙特勒伊印刷工作坊进一步完善了他的工艺。这段从安特卫普充满活力的街道到布鲁塞尔和巴黎艺术中心的旅程,彰显了他对卓越的终生追求,以及对艺术创作不朽力量的根深蒂固的热情。
“Sublimart”:悖论式隐喻的艺术

Vereycken 的艺术创作可以用他自创的术语“sublimart”来最好地描述——一个融合了“sublime”(崇高)与“art”(艺术)的词。这个新词概括了他独特的创作手法:运用悖论式隐喻,将灵魂提升至崇高境界的具象艺术。他的作品无关乎肤浅的美或直白的叙事,而是构建视觉上的悖论,以此作为通往更深层次理解的大门。正如他言简意赅地指出的,“让无形可见”是他创作背后的驱动力。他实现这一目标并非通过传统的象征主义或直接的描绘,而是将迥异的元素编织在一起,以此挑战观者的感知,激发深入的思考。
他主要运用的材料和技术——蚀刻、绘画、油画和水彩——都经过了审慎的选择。蚀刻版画,凭借其固有的精确性与错综复杂的线条表现力,尤其适合他探索层层递进的意义。蚀刻的过程需要耐心与审慎的行动,这与其观念性隐喻的深思熟虑的构建过程如出一辙。他对古典技术的执着,结合现代的感性,使其具象作品充满了深刻的情感与智识共鸣。每一件作品都是形式与观念之间精心编排的对话,邀请观者踏上一段个人的发现之旅。
Vereycken 作品的主题基础并非刻意为之,而是从他与世界的互动及艺术探索中自然生发。他希望“通过向人们展示,没有什么比‘古典’艺术更‘现代’、更‘革命’,从而震撼他们”。然而,他对古典艺术的定义远非僵化或学院派。对 Vereycken 而言,它代表着一种“基于非犬儒、具解放性、充满反讽与诗意隐喻的构图科学”。他相信,这些隐喻是所有艺术形式(无论是视觉艺术还是音乐)的根本关键。他的方法植根于这样一种理解:艺术是艺术家赠予观者的深刻“礼物”,是一种促进联结和共享体验的爱的行动。
艺术启迪的愿景

Karel Vereycken 的艺术事业充满了深刻的使命感,远不止于创作赏心悦目的物品。他将自己的工作视为一种“教学活动”,一场“人文主义思想游击战”,旨在唤醒观者,让他们感知到新的维度。虽然他承认销售对于推进其艺术事业的重要性,但他最终的动机并非迎合大众品味,而是促进与观者更深层次的联结。他努力使艺术成为一扇“窗户”,通往人们凭直觉认为重要却往往无法触及的领域。
他致力于分享自己的知识和热情,这充分体现了他对这一愿景的承诺。他曾在巴黎卢浮宫、安特卫普、布鲁塞尔或法兰克福的博物馆、米兰的布雷拉美术馆、柏林的画廊以及纽约大都会艺术博物馆等主要艺术机构举办过多次导览。这些沉浸式体验已被记录下来,部分录音可在他的网站上获取,让更广泛的受众能从他的见解中受益。他收到的由衷感谢,许多人表示惊讶于思想竟能通过绘画如此深刻地传达,这突显了他教学方法的影响力。
展望未来,Vereycken 的发展轨迹依然以积极参与和扩大其影响力的愿望为标志。他的作品曾在纽约的 ARTEXPO 和巴黎卢浮宫卡鲁塞尔厅的 ARTSHOPPING 以数字形式展出,他持续活跃于当代艺术平台。在赢得“蒙娜丽莎奖”并随后在巴黎的 Galerie Mona Lisa 举办展览之后,他的重心仍然是分享他那具有变革力量的艺术。即将在萨尔瓦多为 SUMARTE 2026 举办展览的计划,标志着他的国际抱负以及让全球观众接触到他独特视角的持续承诺。他正在进行的作品,如概念丰富的《天堂阶梯》,展示了他对融合多元视觉灵感——在此例中是中国黄山的风光与佛兰德的风景画传统——的持续探索,旨在为人类旅程打造强有力的隐喻。
Karel Vereycken 的艺术证明了求知欲、精湛技艺以及对艺术启迪人类精神能力的深刻信念所具有的持久力量。通过创造悖论式的隐喻,他邀请我们超越表象,去探寻塑造我们存在的无形意义之流。他的作品有力地提醒我们,真正的艺术性不仅在于所见之物,更在于所感、所悟,并最终被揭示的一切。
欲联系 Karel Vereycken 并探索其引人入胜的作品,请访问他的网站及社交媒体平台:
- 网站: https://artkarel.com/
- Instagram: https://www.instagram.com/karelvereycken/
- Facebook: https://www.facebook.com/karel.vereycken/
- Manifestampe 个人资料: https://www.manifestampe.org/utilisateur/karel-vereycken/profil
- 《当代艺术策展人杂志》访谈: https://www.contemporaryartcuratormagazine.com/home-2/karel-vereycken-interview












